Here is the the initial choir from the performance Mozart in Ystad 2011, where the aphorism was: ’You shouldn’t just say halleluja, you should also live by it’.

In this performance from Mozart in Vadstena in 2009, space work is used for starting the opera in an ensemble scene.

Here is a scene where a character is presented for the first time: a mother who is waiting for her long-gone daughters.

In this scene, we see a transition from conflict to turning point and then an ending. The vindictive mother-in-law to be wants to force the soon-to-be daughter in law to sign a contract. At 0:51, the mother-in-law is exposed from her disguise and punished by the young woman. The scene ends with a transition (around 5:00) into the final moral choir.